Wednesday 11 July 2012

Theme of Failure in Anita Desai’s Voices in the City


             Anita Desai, a prominent contributor to the development of Indian English novel is commended for her art of characterization. As a novelist of high order, she has the dexterity to create characters that are unique and solitary. Her characters are lonely, introverted, disconsolate, disconcerted, frustrated, free minded, obstinate and tragic. Her galaxy of characters is a world of richness, variety and complex. Her characters are life-like and represent the world which we live. Each of her characters is an unfathomable mystery who reveals their realization of self, the agony of hopelessness, their sense of alienation, their search for identity, their indomitable courage in deciding their own way of action, their persistent fight against the social and economic bondage, and their psychological conflicts.
Desai’s protagonists are basically tragic and they fail persistently. They are psychologically disturbed, morbid, self-absorbed and incoherent in their manner and disjointed expressions. They are confronted with a hostile social environment and they fall into a state of passiveness. They share their   experience and perceptions about life and try to search for the real meaning of life. The characters live a lonesome life and love privacy.
            In the novel, Voices in the City , Nirode a young man of twenty-five admits himself that he is “a congenital failure”(8) in the heartless and soulless dark pandemonium . He is an indomitable pessimist in the “devil city”. Though he calls himself a journalist, he “ was still, the anonymous and shabby clerk on a newspaper, calling himself a journalist, for that is a fine, crisp and jaunty word. But the dismal truth was that all he did was cut long strips of newspaper and paste and file them, occasionally venturing out to verify a dull fact in some airless office room.” (8) Nirode feels that it is impossible to work under any man, by his orders, at a stipulated time, at a meaningless job. He loathes the superciliousness, their arrogance and their blindness in following a mundane senseless job. He feels that it is ridiculous to spend their entire energy, lives and intelligence on “something that does not matter”(18) He believes  that it is better not to live at all rather than to live a life of meaningless. He says, ” Better to leap out of the window and end it all instead of smearing this endless sticky glue of senselessness over the world. Better not to live.” (18)
According to Nirode, he should live a sensible life by indulging in a sensible work or otherwise he should not live at all. He regrets that he has not begun his life yet. He aspires to become a writer and all that he wants, he says, decisively are “three drinks a night and a room of his own ... three drinks for inspiration… and a room in which to write in!”(11). Though ‘three drinks and a room’ seems like a princedom, he is determined to get it.   
Though he has reminiscences of his childhood and of his mother at Kalimpong, he recalls with disgust his mother’s attraction for their neighbor, the flirtatious Major Chadha, which he believes has deprived him of his mother’s love towards him. When he reads the letters from his mother, he expresses such resentment about his mother mentioning Major Chadha’s name “ how unashamedly she wrote the hideous name, so like a cooking pot full of yellow food, or a rag of dirty underwear. How helpful was this Chadha, providing her with male company and admiration.”(37)  Nirode  feels that even marriage is destructive, negative and decadent. His view on marriage after meeting Sarla is that it is heinous. He wants to escape from the journey which allures David so much. There is no hope about anything or any companionship in his life.  He feels even education is all rot .He finds no compatibility or comfort with any body except the respect he holds for the painter Dharma and his Irish iterant Davis.
Strangely, Nirode is in pursuit of failure while the whole world runs behind material success and fame. He wants to fail irresistibly and quickly. He want the magazine to fail quickly. To him failure should be quick, descending should be quick. His wish is to see the depth of failure quickly even before he climbs the ladder of success.
… I want it to fail –quickly. Then I want to see if I have the spirit to start moving again, towards my next failure. I want to move from failure to failure to failure, step by step to rock bottom. I want to explore that depth. When you climb a ladder, all you find at the top is space, all you can do is leap off—fall to the bottom. I want to get there without that meaningless climbing.  I want to descend, quickly.(40)
    
Though he aspired to be a writer , though he succeeded in his venture of the magazine Voice,  he is neither contented nor proud about his success. He wanted to get rid of the magazine . He wanted to avoid it. Dharma’s sarcasm  and disapproval might have aggravated his wish to get rid of the responsibility of running the magazine, “ the magazine tasted now to him—artificial and a waste. The fact that his friends so believed in it, so encouraged it, made him despise them all the more. Yet he was responsible for it . He hated this being responsible for anything at  all.”(72)
            He informs David that he does not want to wait  for the failure of the magazine.
As the angry young man of John Osborne , Nirode is also angry and frustrated about the society. He articulates that the society is responsible for the individual’s failure.The society should feel guilty for every individual’s failure in this world. “Society must have some kind of guilt complex about us after all.” (59) Hence he hates the world. “He loathes the world that could offer him no crusade, no pilgrimage and he loathed himself for not having the true, unwavering spirit of either within him.”(64)
His  habit of withdrawal, withdrawal of love  and resistance had grown stronger that he is not willing to accept love. He is prideful and does not wish to submit or commit himself to any sort of bondage. He feels these attachments to life an entrapment, a mesh . Though he lives in a miserable state , he still wishes to be economically independent . He suffers from such contempt on his mother that he refuses to sign the forms when his mother is willing to open a bank account in Nirode’s name. He says,” Tell her I want no share of it , no share of banks or finance or insurance and all the rest of her bleeding equipment. Tell her she’ll never get me to sign my name or fill in a form… I’m done with signing my name, believing my name,or having a name. Tell her, I’m nameless. Tell her that.”(134)  
When the whole world aspires and perspires to achieve success, every individual wants to  become a name and desires to hold some kind of responsibility, Nirode  on the contrary wants to fail, becomes nameless and hates to be responsible for anything.
Desai’s characters are manifested with the traits of introspection, introversion, incompatibility and inability to compromise  makes them lead a life of isolation. His characters are not flat and they change, permeate and grow psychologically under the stream-of – consciousness. Very few writers have surpassed Desai in the demarcation and delineation of the protagonist.  Her interest in the psychic life of  mankind has made her explore the unexplored arenas of human mind. The chaotic, conflicting and the profound struggle in the inner recesses of human beings makes her a distinctive novelist. Her novels are introspective and try to trace the workings of the mind in their struggle against the odds of the social and emotional world.